Just between auditors analyzed the Generalitat have detected many irregularities ranging from dinners or banquets without justification, to the acquisition of artworks by email, shopping with cost overruns of up to 1.500% or parts not appear, as has happened in Feria Valencia, whose management has also finished in Corruption. Are the miseries of the IVAM, a museum of modern art that was once reference in Spain.
As has been reporting this newspaper, during the period under review, the IVAM bought a total of 124 works by a total value of 1,992,877 euros. The report also indicates that the purchases were made without a defined procurement plan and methods that would not meet the rules of engagement of the public sector. Apparently, were the curators themselves or artists who offered the purchase, “often coinciding with exhibitions of the museum itself,” and through “e-mails, letters or verbally,” says the report.
Among other issues, the report notes that are rated five works acquired in the period randomly selected control. The result “reflects differences between the market price and the amount paid by the IVAM in between 45.20 and 1,520 percent.” This applies to the piece de Julio Quaresma Della triunphante Beast (2005), which the museum acquired in 2011 by 32,400 euros when the external valuation carried advised a price of 2,000 euros, representing a difference of more than 1,500 percent. But there’s more
The remaining works are analyzed The Deluge, Miao Xeaochun, purchased in 2009 by 18,000 euros and now valued at 8,000 (difference of 125%.); Time of rice and salt, Natividad Navalón, laying paid in 2010 128.400 euros, 71% more than the 75,000 market; Removal assignments, Javier Arce, acquired in 2011 by 11,800 -has worth 2,500 euros, a 372% less, and Haboob, Juan Carlos Nadal, who joined the IVAM in 2013 for 14,520 euros and has been valued at 10,000 (45, 20%).
Prosecutors now have six months to investigate, extendable to six. If Anticorruption evidence becomes evidence will claim, if the measures were not filed. All suspicions focus on Consuelo Ciscar, wife of former Minister Rafael Blasco, who entered prison Monday for embezzling public aid for international cooperation. The report is not final and the current management has already filed claims. However, these qualifications would not prejudice the possible criminal responsibility of some of the decisions taken by Císcar. The current direction in fact advised the Ministry of Culture criminal prosecution by the severity of some of the report’s conclusions. Speaking to this newspaper, the former director Consuelo Ciscar said the IVAM “has been subjected annually to the relevant external audits Audit Iberica subsequently endorsed by the Ministry of Finance, which usually conclude with the statement ‘there have been no significant breaches’ “. He stressed that all purchases of the museum are “justified and approved”.
travel, dining, ERRORS AND WORKS NOT LISTED The report of the Comptroller it is extensive and analyzes the points that it considers most relevant in the museum : acquisition of artworks, exhibitions, publications, advertising, propaganda and public relations, independent professional services and other services. In general, it shows that the former director Consuelo Ciscar made most of the decisions according to their own judgment and that there was “a procurement plan” defined and clear rules to hire exhibitions. But there are many other considerations and irregularities. For example, in terms of travel and subsistence, because many of them “are not sufficiently justified,” the report said, and others were directly satisfied by people who had no professional relationship with the IVAM at that time. There are also technical errors, as works that are purchased with a given title and eventually appear with a different one, or grants that appear signed but then fail to materialize. According to the report, in fact, there are 32 sculptures from which there is no evidence, the new management of the center has already shown its intention to reclaim the text of allegations presented. Another point has to do with the catalogs. In the period between 2009 and 2013, in which the report of the intervention focuses, the IVAM commissioned a circulation of catalogs of exhibitions of 53 811 copies in total, with a cost of 1,256 million euros. However, these data indicate that only 4,618 were sold, 8.58% of the total.
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